Most of all, the world is a place where parts of wholes are described
within an overarching paradigm of clarity and accuracy.
The context in which makes possible an underlying
sense of the way it all fits together,
despite our collective tendency not to conceive of it as such.
But then again, the world without end is a place where souls are combined,
but with an overbearing feeling of disparity, disorderliness.
To ignore it is impossible without getting oneself into all of kinds of trouble,
despite one’s best intentions to not get entangled with it so much.
the statues are bleeding green.
And others are saying things much better than we ever could;
as the quiet become suddenly verbose.
And the hail is heralding the size of nickels.
And the street corners are gnashing together like the gears
inside the head of some omniscient engineer.
And downward flows the garnered wisdom that has never died.
we opened the box, we couldn’t find any rules.
Our heads were reeling with the glut of possibilities, contingencies...
but with ever increasing faith we decided to go ahead and just ignore them,
despite tremendous pressure to capitulate and fade.
So instead, we went ahead to fabricate a catalog
of unstable elements and modicums and particles.
With not zero total strangeness for brief moments which amount
to nothing more than tiny fragments of a finger snap.
we’re furiously sleeping green.
And the map has started tearing along its creases due to overuse...
when in reality it’s never needed folds.
And the air’s withholding the sound of its wellspring.
And our heads approach a density reminiscent of the infinite connectivity of the center of the sun.
And therein lies the garnered wisdom that has never died.
leads to disappointment. If you don’t expect something big huge and exciting...
The Books were an American duo, formed in New York City in 1999, consisting of guitarist and vocalist Nick Zammuto and cellist Paul de Jong. Their releases typically incorporated samples of obscure sounds and speech.
They released three critically acclaimed albums on the German label Tomlab, and released their fourth studio album, The Way Out, on Temporary Residence Limited in July 2010.
- 1999–2002: Thought for Food
- 2002–2003: The Lemon of Pink
- 2003–2006: Lost and Safe, Music for a French Elevator, Prefuse 73 Reads The Books
- 2006–2012: Hiatus, The Way Out and break-up
The Books are commonly cited by critics to be of a genre of their own.
Zammuto has described it as collage music. Paul de Jong described it as "the new folk music...[w]e make our own instruments, use our own libraries of sound bites while trying to create something universally human."
Although they have said that their influences include Nirvana, David Bowie, Roxy Music as well as new wave and classical music, these do not show prominently in their music, though Zammuto was directly influenced by electronic musicians Squarepusher, Aphex Twin and Boards of Canada.
The Books' music usually consists of acoustic instrumentation of folk melodies usually played on guitar, cello, banjo and more, combined with a diverse range of samples obtained from cassettes found in thrift stores, which are digitally processed and edited.
They also rarely use a drum kit in recordings and performances, instead favouring inanimate objects like children's toys and filing cabinets, which are sampled and looped. Some observers contend that their music is aleatoric, but Zammuto has disagreed, saying the music is very tightly controlled.